'Sauvignon Blanc' retains PNK FME's brooding art pop sounds, while evolving his sonic with vivid intensity.
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‘Forget’ retains the flourishing electronica from Luboku’s previous releases while also progressing the project’s auditory direction.
Read MoreSydney house producer, Self Tape has just elevated his sound to new heights with the release of ‘In to Dark’.
Read MoreFor our third interview with Archy Stranger, we delved into the his newest single, ‘Home’, collaborating with other acts, and the future of the project.
Read MoreWe spoke to Tycho about the evolution of the project, his recent single ‘Pink & Blue’, forthcoming performance at this year’s Splendour and his Australian tour.
Read MoreMelbourne producer and composer, Kendl has returned with his succulent single, ‘Manyara’.
Read MoreMelbourne duo, Yuto. flex their production prowess with the release of ‘All That I Do’ featuring Futuremag Music regular NIK NAVY.
Read MoreWe caught up with DVNA ahead of ARCADIA music festival to talk about her project, music, the festival, and of course cocktails!
Read MoreWe caught up with Wafia ahead of her hometown performance at Big Pineapple Music Festival
Read MoreWe caught up with Blyolk to delve deep into his new single ‘Dogspeed’, as well as have an exclusive behind the scenes look at the track’s composition.
Read MoreSydney producer, Self Tape has just released ‘Hanging Over You’, a moody piece of electronica.
Read MoreWe caught up with Phoet ahead of his debut album Broken Symmetry due to drop on Variables Music on Friday, April 5.
Read MoreMelbourne’s CHATOOR never ceases to blow me away with his rambunctious and stimulating take on trap. The rising producer has just released ‘Begotten’, a hard hitting single designed for the dance floor.
Read MoreWe caught up with Ruby, the legend behind Post-Dusk about her career, new single ‘Overgrown’ and the future of the project.
Read MoreSydney muso, ELKI has fulfilled our eclectic pop desires with her single, ‘Nightmare’ pulled from her forthcoming EP Extended Play in May.
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